Thursday, December 23, 2010
Be Mine This Xmas
Hey you can d/l our old Christmas song here: http://thebigcitynightsband.bandcamp.com/album/be-mine-this-xmas
Tuesday, December 14, 2010
Broken Social Network
We have scored a gig as the house band at Grossman's on Monday nights, and by we, I mean members of The Flying Museum Band, The Big City Nights Band, The Beekeeper's Society, and other random musicians. We will be playing songs by the aforementioned bands, as well as a list of select covers. The name of this live collective is BROKEN SOCIAL NETWORK. Good times. I'll keep y'all updated on this. In other news, since myspace has gone to an even worse hell than it used to be, I've added another "blog" here . That blog won't be a blog in the traditional sense. I'll only have have the two posts up, one for upcoming shows for all LGRC bands, and another for the catalog. Both posts will be updated as things happen, but that's it. I figured it's better than sending people to a myspace that usually doesn't load properly and generally looks like shit.
Here's the facebook event for Broken Social Network's first gig: http://www.facebook.com/home.php?#!/event.php?eid=183987161617451
Here's the facebook event for Broken Social Network's first gig: http://www.facebook.com/home.php?#!/event.php?eid=183987161617451
Thursday, December 9, 2010
Beaver Man
This year has been insanely productive for The Big City Nights Band. We did our first tour (with mixed results), put out four full length records, and made a couple of fun videos, which was lovely, but after intense periods of productivity there usually follows a long highway of lazy days and delicious inactivity. Ryan (pictured above) works nights in various towns across Ontario, and James (also pictured above) starts work at 4 AM. I work 230-11PM usually. I also go to school full-time and live in a different city than my aforementioned bros. So we're taking some time off. We were supposed to play @ Rancho Relaxo Jan 1 but my other project GIANTS will be doing that show instead, as well as a show @ Marcello's in Streetsville Jan 7th, before disbanding forever.
GIANTS will be spending the rest of this month making our debut EP.
A billion things are happening in 2011, including the completion of Brampton Comes Alive!, a full-length record that Russell and I have been working on for almost a year now, a record from The AM Gems, which is Omri Horowitz's badass name, a film called Sudbury '96 that Russell and I and Stefan and a shitload of other people are working on, and a really huge project called Broken Social Network which will involve at least fifteen musicians and a cottage and a lot of tape. Sleep For The Nightlife is also working on our follow up to Human People, and I'll be trying to get some schoolwork done during all of this.
The Big City Nights will return in March with our annual Tracks show and hopefully make a record in the summer.
GIANTS will be spending the rest of this month making our debut EP.
A billion things are happening in 2011, including the completion of Brampton Comes Alive!, a full-length record that Russell and I have been working on for almost a year now, a record from The AM Gems, which is Omri Horowitz's badass name, a film called Sudbury '96 that Russell and I and Stefan and a shitload of other people are working on, and a really huge project called Broken Social Network which will involve at least fifteen musicians and a cottage and a lot of tape. Sleep For The Nightlife is also working on our follow up to Human People, and I'll be trying to get some schoolwork done during all of this.
The Big City Nights will return in March with our annual Tracks show and hopefully make a record in the summer.
Monday, December 6, 2010
London After Midnight
A shrouded traveler clomps inside (door slams)
the ghost of England, he is.
And with tea breath and blood-red eyes,
he's clearly seen chalk-white cliffs I'll never see
and clearly tells me so
Tells me so in the land of no midnight pints
bombproof garbage cans
and a tube way below (dontcha know)
under the towers of London and the Tower of London
under the language of the surface bugs
beneath the buzz and toil of butchers
and smiling wrinkled vaginas.
The shrouded traveler says he works on a ship
way out to sea (dontcha know) way out
beyond the curve of the Earth. He says
a ghostship is waiting
to take him to his new home.
the ghost of England, he is.
And with tea breath and blood-red eyes,
he's clearly seen chalk-white cliffs I'll never see
and clearly tells me so
Tells me so in the land of no midnight pints
bombproof garbage cans
and a tube way below (dontcha know)
under the towers of London and the Tower of London
under the language of the surface bugs
beneath the buzz and toil of butchers
and smiling wrinkled vaginas.
The shrouded traveler says he works on a ship
way out to sea (dontcha know) way out
beyond the curve of the Earth. He says
a ghostship is waiting
to take him to his new home.
Sunday, November 21, 2010
Gimme Gardens
The new record is done. It's called Gimme Gardens and you can download it here. It's our fourth full-length of the year. Whew. It's been a busy one. Here's the songs:
01 No Cabana
02 Lasagna Sunrise
03 Tiebreakin
04 Longers & Goners
05 Hurts To Wait
06 Ever Say Ever
07 My Time & Me
08 Watching My Baby Get Ready (Greg Cartwright)
09 Feel It
10 Encyclopedia Man
11 Shower of Stories
12 Softly Growing Old
13 Bad Enough For A Raincoat
14 Of Facts and Friendship
15 Lost Polaroids
16 Wild Hope
17 Baseball Orphans
18 Oh Sing
19 Hokum
20 I Hope
01 No Cabana
02 Lasagna Sunrise
03 Tiebreakin
04 Longers & Goners
05 Hurts To Wait
06 Ever Say Ever
07 My Time & Me
08 Watching My Baby Get Ready (Greg Cartwright)
09 Feel It
10 Encyclopedia Man
11 Shower of Stories
12 Softly Growing Old
13 Bad Enough For A Raincoat
14 Of Facts and Friendship
15 Lost Polaroids
16 Wild Hope
17 Baseball Orphans
18 Oh Sing
19 Hokum
20 I Hope
Wednesday, November 10, 2010
Movember rock show and a new record by years end
Like the title of this post suggests, we are playing a Movember charity event:
November 27th @ Brampton Rugby Club (South of Steeles on Kennedy Rd)
We are also beginning tracking for a new record tomorrow and Sunday, and hope to take a huge chunk out of it. I'd like to do this one quickly. There's no reason why it shouldn't be out by the end of the year, as the songs are written.
In other news I've started a new project called GIANTS with Spencer from Reverse Mount Rushmore, Brent from the Deadly Hopefuls, and James from The Big City Nights Band. We'll be recording an EP this December, then playing two shows in January, then breaking up forever. The dates are:
January 7th @ Marcello's, Streetsville
January 8th @ Rancho Relaxo, Toronto
Looookout!
As you've probably guessed, I'm no longer burnt out. It never lasts long.
November 27th @ Brampton Rugby Club (South of Steeles on Kennedy Rd)
We are also beginning tracking for a new record tomorrow and Sunday, and hope to take a huge chunk out of it. I'd like to do this one quickly. There's no reason why it shouldn't be out by the end of the year, as the songs are written.
In other news I've started a new project called GIANTS with Spencer from Reverse Mount Rushmore, Brent from the Deadly Hopefuls, and James from The Big City Nights Band. We'll be recording an EP this December, then playing two shows in January, then breaking up forever. The dates are:
January 7th @ Marcello's, Streetsville
January 8th @ Rancho Relaxo, Toronto
Looookout!
As you've probably guessed, I'm no longer burnt out. It never lasts long.
Tuesday, October 26, 2010
Extended hiatus
For some reason I am really burnt out on this project right now, which means an extended hiatus from recording and playing will be happening. I'm gonna take some time to play with some new projects and try to write different stuff. We'll be back in March with our annual Tracks show.
Monday, October 18, 2010
Under The Overpass
Our seventh record has been mastered and is available for free download here
We hope you like it. Our entire discography is now available on bandcamp (excluding the EPs which, as a rule, we peddle only as physical items in very limited quantities). So check it out.
We hope you like it. Our entire discography is now available on bandcamp (excluding the EPs which, as a rule, we peddle only as physical items in very limited quantities). So check it out.
Thursday, October 14, 2010
Finished
Last night I finished vocals on the last two songs and mixed the record. It is now in the capable hands of Ryan Mills, who is mastering it as I type this. It should be up and available for free download before next week. There are fifteen songs. Here's the details:
The Big City Nights Band - Under The Overpass LP
1. As Near As Now
2. Round and Around
3. Watching The Waves
4. Under The Overpass
5. Hardly Harm
6. Go Yell It On The Mountain
7. Make Up Your Mind
8. Chinese Highway
9. Amber Girls
10. Shitty Business
11. Under The Overpass
12. My Old Cell
13. Hardly Harm
14. Don't Laugh At Me
15. Over The Underpass
The record will be available in physical form soon enough. There won't be a release show for it until December, by which time we plan to have our fourth, and final, LP of the year out. Adding further to this glut, two EPs of songs leftover from both the Might Minutes and Under The Overpass sessions will be available online next month.
That's the news.
The Big City Nights Band - Under The Overpass LP
1. As Near As Now
2. Round and Around
3. Watching The Waves
4. Under The Overpass
5. Hardly Harm
6. Go Yell It On The Mountain
7. Make Up Your Mind
8. Chinese Highway
9. Amber Girls
10. Shitty Business
11. Under The Overpass
12. My Old Cell
13. Hardly Harm
14. Don't Laugh At Me
15. Over The Underpass
The record will be available in physical form soon enough. There won't be a release show for it until December, by which time we plan to have our fourth, and final, LP of the year out. Adding further to this glut, two EPs of songs leftover from both the Might Minutes and Under The Overpass sessions will be available online next month.
That's the news.
Monday, September 27, 2010
Like A Song video
The video for "Like A Song" is finished and you can watch it here. It's a companion piece to "Spaghetti Eastern", and they are funnier when watched in order ("Like A Song" first, obv). Or just watch one of them. It ain't high art. Wow, a lotta posts this month. We must be busy or something.
Sunday, September 26, 2010
New EP and a stag and doe
We are playing our dear friends Laura and Brian's Stag and Doe this Friday @ The Irish centre in Brampton. There will be booze and plently of covers. The new full length record is still being worked on. However, we do have a new EP ready of B-sides and covers called Bees & Seas, appropriately (and dumbly) enough. Most of the songs we record that don't end up on the LPs show up on EPs that same year. When that doesn't happen the songs truly become B-sides; they are too old to go on either an LP or EP because they seem so far removed from how we feel currently as a band. The songs become orphans. Nobody wants them. So this new EP solves the problem. Here's the deets:
The Big City Nights Band - Bees & Seas EP - LG29
01 Make Up Your Mind (a catchy but truly idiotic song that may get the full-band treatment soon)
02 Ol' Sour Tooth (Bistro b-side. It drags but has a certain 50s charm - I hope. Ryan's voice sounds great on this one.)
03 Feel It (a really idiotic song. It kind of sounds like that band Swirl 360. They sucked.)
04 Wild Hope (a little too lightweight but some fun guitar work. Recorded right after Champions.)
05 Kerosine Shuffle (Dumb and fun.)
06 Family Affair (James on the chorus vocals and keyboards.)
07 What To Do (A Gob song. I always really liked it.)
08 Encyclopedia Man (A listenable forty seconds of coffeehouse plucking.)
09 Cold Is Coming (Different version than on Bistro. It's got some brio.)
10 How To Wave At People (The last section of a really old song (2005) that sucked, but the ending is OK.)
11 Missing The Ball (Again 2005. A very primitive (read: bad) recording. Good chorus. Lotta guitar wank.)
12 The Littlest Hobo (Great song. I didn't do it justice but how could I?)
13 Stuck In Love (A gospel tune. The "kick drum" is me thumping my electric guitar. It was done for a concept album I wanted to do in early 2007 called A Steamroller Named Desire. Thankfully I came to my senses. Steamroller is now one of my fav albums of ours, and this song got shit-canned. Some good yelling at the end though.)
14 For Bad Arteries (I don't remember how or when or under what circumstances I recorded this song. It's kinda fuckin' creepy. I sound drunk.)
15 I'm Home (One of the first recordings I ever did. Ever. The bottom of the valley as far as the 2005 break-up recordings go. Good ending tune though.)
Hope y'all dig it. It'll be up on bandcamp for a very limited time later in the week, and then available on CD only by request. We won't be bringing copies to shows.
The Big City Nights Band - Bees & Seas EP - LG29
01 Make Up Your Mind (a catchy but truly idiotic song that may get the full-band treatment soon)
02 Ol' Sour Tooth (Bistro b-side. It drags but has a certain 50s charm - I hope. Ryan's voice sounds great on this one.)
03 Feel It (a really idiotic song. It kind of sounds like that band Swirl 360. They sucked.)
04 Wild Hope (a little too lightweight but some fun guitar work. Recorded right after Champions.)
05 Kerosine Shuffle (Dumb and fun.)
06 Family Affair (James on the chorus vocals and keyboards.)
07 What To Do (A Gob song. I always really liked it.)
08 Encyclopedia Man (A listenable forty seconds of coffeehouse plucking.)
09 Cold Is Coming (Different version than on Bistro. It's got some brio.)
10 How To Wave At People (The last section of a really old song (2005) that sucked, but the ending is OK.)
11 Missing The Ball (Again 2005. A very primitive (read: bad) recording. Good chorus. Lotta guitar wank.)
12 The Littlest Hobo (Great song. I didn't do it justice but how could I?)
13 Stuck In Love (A gospel tune. The "kick drum" is me thumping my electric guitar. It was done for a concept album I wanted to do in early 2007 called A Steamroller Named Desire. Thankfully I came to my senses. Steamroller is now one of my fav albums of ours, and this song got shit-canned. Some good yelling at the end though.)
14 For Bad Arteries (I don't remember how or when or under what circumstances I recorded this song. It's kinda fuckin' creepy. I sound drunk.)
15 I'm Home (One of the first recordings I ever did. Ever. The bottom of the valley as far as the 2005 break-up recordings go. Good ending tune though.)
Hope y'all dig it. It'll be up on bandcamp for a very limited time later in the week, and then available on CD only by request. We won't be bringing copies to shows.
Sunday, September 19, 2010
A not-so-flattering record review
The folks at Halifax's Noisography have reviewed our record Might Minutes. It's not a glowing review, but he doesn't exactly hammer us. I do agree that I'm not the strongest singer. I don't agree that some of the songs should have been welded together, especially his suggestion to merge "Blue Collar Academic" and "In The Back Nine" (the latter being one of my favourite songs on the record). Also, I think "Beach Music" is all the better for its brevity, but I do understand that not everybody likes short songs. I'm glad he likes "Lump In My Throat" though. Everybody likes that one. The link for the review is here: http://noiseography.blogspot.com/2010/09/big-city-nights-might-minutes-lp-review.html , and I've pasted it below.
When I saw that this album was 19 tracks long I got scared.
See, I’m a lazy guy, and 19 tracks is tedious, especially if it turns out that after the third song everything is just starting to sound the same and I’m just dying for it to be over but NOPE there’s still sixteen songs to go. Then I put the album on, and I figured out why there are 19 songs. There are, in fact, very few songs on this record; it’s all just parts.
Now, don’t get me wrong, that doesn’t mean its bad. The parts are good. Actually, they’re really good. They’re all over the place stylistically, they’re a little raw, but they’re good. I feel like I’m listening to an awesome record that’s 75% done. It just needs a little refinement in two places.
First of all the arranging. The tracks rarely have more than 2 parts to them, and instead of developing they just kind of stop. Then the next track starts. I just think part of what makes a good band is being able to take a great part -- a melody, a rhythm, anything -- and play with it and alter it so that it develops, but with a hint of consistency.
“Beach Music” has a really cool rhythm that keeps motoring forward and great guitar work, but it just doesn’t go anywhere. If they were playing it at a live show the crowd would have just started to catch onto it and it would be over. “Sleep Kilometres” is also a minute and thirty-five seconds of great stuff, but there is no development. Some parts could even have been mashed together into one song with a little effort and imagination. “In the Back Nine” could have been a cool bridge for “Blue Collar Academic.” This is an solid 8 song record spread out on 19 separate tracks.
The few songs that do feel complete are awesome. “Lump In My Throat” sounds like Retribution Gospel Choir with a bit more oompf, and “Summer Drummer” is this cool Air-esque break that’s totally unexpected but it fits really well. That’s about it though, the rest is a jumbled mess of puzzle pieces.
My other issue is the vocals. Not the melodies or the notes, but how much they are buried in effects. The rest of the music is fairly cut and dried, but the vocals are basting in reverb. Now, I know that singers who aren’t comfortable with their own voice will drench their tracks in effects to hide it, and in all honesty, if these vocal tracks were loud and straight they would probably sound off, he’s not the strongest singer. However, give him five more months of singing these songs live and record them again, and I bet you would have something different altogether. The power is there, it just lacks the confidence. I’m really interested to hear what the album after the one after this one is going to sound like. Experience is the best training there is.
Take note of this review, because it’s probably the only time I’ll ever complain about a band’s songs not being long enough, but these tracks are just skeletons. It’s time to put some meat on the bones.
- Review by Josh 'Pinky' Pothier
When I saw that this album was 19 tracks long I got scared.
See, I’m a lazy guy, and 19 tracks is tedious, especially if it turns out that after the third song everything is just starting to sound the same and I’m just dying for it to be over but NOPE there’s still sixteen songs to go. Then I put the album on, and I figured out why there are 19 songs. There are, in fact, very few songs on this record; it’s all just parts.
Now, don’t get me wrong, that doesn’t mean its bad. The parts are good. Actually, they’re really good. They’re all over the place stylistically, they’re a little raw, but they’re good. I feel like I’m listening to an awesome record that’s 75% done. It just needs a little refinement in two places.
First of all the arranging. The tracks rarely have more than 2 parts to them, and instead of developing they just kind of stop. Then the next track starts. I just think part of what makes a good band is being able to take a great part -- a melody, a rhythm, anything -- and play with it and alter it so that it develops, but with a hint of consistency.
“Beach Music” has a really cool rhythm that keeps motoring forward and great guitar work, but it just doesn’t go anywhere. If they were playing it at a live show the crowd would have just started to catch onto it and it would be over. “Sleep Kilometres” is also a minute and thirty-five seconds of great stuff, but there is no development. Some parts could even have been mashed together into one song with a little effort and imagination. “In the Back Nine” could have been a cool bridge for “Blue Collar Academic.” This is an solid 8 song record spread out on 19 separate tracks.
The few songs that do feel complete are awesome. “Lump In My Throat” sounds like Retribution Gospel Choir with a bit more oompf, and “Summer Drummer” is this cool Air-esque break that’s totally unexpected but it fits really well. That’s about it though, the rest is a jumbled mess of puzzle pieces.
My other issue is the vocals. Not the melodies or the notes, but how much they are buried in effects. The rest of the music is fairly cut and dried, but the vocals are basting in reverb. Now, I know that singers who aren’t comfortable with their own voice will drench their tracks in effects to hide it, and in all honesty, if these vocal tracks were loud and straight they would probably sound off, he’s not the strongest singer. However, give him five more months of singing these songs live and record them again, and I bet you would have something different altogether. The power is there, it just lacks the confidence. I’m really interested to hear what the album after the one after this one is going to sound like. Experience is the best training there is.
Take note of this review, because it’s probably the only time I’ll ever complain about a band’s songs not being long enough, but these tracks are just skeletons. It’s time to put some meat on the bones.
- Review by Josh 'Pinky' Pothier
Wednesday, September 15, 2010
Guitarin'
I'm finished tracking guitar parts for the next record. Just did a bit of lead on the old blues stomper "Go Yell It On The Mountain", so that's it for me. Now comes a bit of keyboardin' ear candy, Ryan's bass, and then we sing. Right now it looks like there will be between 14 and 16 songs on the record. Tunes like "Chinese Highway", "As Near As Now", and "Hokum" are pretty different from anything we've done before, and then there's some redone versions of older songs like "I Hope" and "Round and Round". I can't wait to hear it when it's done.
Monday, September 13, 2010
Spaghetti Eastern
We shot a video yesterday for our song "Spaghetti Eastern", an instrumental track from our most recent record, Might Minutes, which you can download for free right here. You can watch the video right here.
It was fun to make. It's always fun to be out in the strange September sun. We hope you like it.
It was fun to make. It's always fun to be out in the strange September sun. We hope you like it.
Friday, September 10, 2010
Zounds!
As you can see, we have a blog now. We'll be posting lyrics and videos and other fun stuff from our life as a band without all the banalities and trivialities that these blog things are known for. Therefore, anytime we post something here, it probably means we have a new song or record or a new video or show coming up. Which we do! A new record is on the way. It's called Under The Overpass and should be out in less than a month. An EP of outtakes and such will also be available for download called Over The Underpass. We have a bandcamp page now which is here: http://thebigcitynightsband.bandcamp.com Very soon all of our records will be up there, as well as a "best of" sort of thing, not to feed our egos or anything, but to maybe introduce the sound of the band to people who maybe don't wanna slog through six full-length records right away. The "best of" will feature songs from Born To Bar Band to Might Minutes in reverse chronological order. It will be available only online, and it's going to be called Minor Carpentry, after a song on Complete Lung Champions that, ironically, won't be on the "best of". We have three shows coming up:
September 18 @ Good Time Cafe, Brampton
September 22 @ Rancho Relaxo, Toronto
September 23 @ The Central, Toronto
Videos for "Like a Song" and "Spaghetti Eastern" are also in the works. We'll post them here as soon as they're done.
xo
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